Inside the pages of an untitled sign painting textbook (circa 1902) was an example of the classic chamfered sans serif alphabets used by tradesmen of the time.
This version was wider than most, and perfect for a digital version called Wide Chamfer JNL, which is available in both regular and oblique versions.
Inside the pages of an untitled sign painting textbook (circa 1902) was an example of the classic chamfered sans serif alphabets used by tradesmen of the time.
This version was wider than most, and perfect for a digital version called Wide Chamfer JNL, which is available in both regular and oblique versions.
A condensed, light face spurred serif alphabet was shown on an antique catalog page from Spon & Chamberlain Publishers as “French”. The catalog likely sold tools and dies to stonecutters for making inscriptions in marble, granite and so forth.
This elegant design is available digitally as Nouveau Thin JNL in both regular and oblique versions.
A vintage brass stencil for an individual or company named ‘Rodrigues’ was spotted in an online auction.
The hand punched, condensed Roman lettering inspired the digital typeface Nameplate Stencil JNL, which is available in both regular and oblique versions.
Easy Stencil JNL is a simple sans serif stencil design [based on a hand lettered example] from the 1922 publication “Modern Show Card Writing” and is available in both regular and oblique versions.
Convicted JNL is a condensed, chamfered sans serif type design inspired by opening credits from the 1940 film of the same name – available in both regular and oblique versions.
In the 1920 edition of “How to Paint Signs and Sho’ Cards” by E. C. Matthews is an example of what is termed “poster lettering” that is so free form and unusual it borders on the eccentric.
Resembling lettering more commonly found in 1960s “underground comics” of the Hippie generation rather than of the Art Nouveau period, it oddly enough works well in both styles.
This novelty typeface is now available as Hippie Comics JNL in both regular and oblique versions.
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Frida Bezrukova
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