Red Bells is a unique casual signature script font. With regular mono-line stroke, fun character with some of ligatures and extra swash. To give you an extra creative work. Red Bells font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Red Bells font.
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MaulanaCreative
Aulian is an arabic font style made in all characters in uppercase, lowercase, multilingual, ligature, numeric and punc.this typeface with artistic style verym terestingt for loads of different projects and promotions, such as logo, poster, catalogs, advertisement needs, packagingdesign.
Foda Slab is a powerful Arabic slab typeface that has two styles : Regular and Hollow.
With 886 glyphs Foda Slab has many ligatures which makes it suitable for headlines and other different graphic contexts.
Futuristic, modular, blocked, squarish and modernist KayKhosrow font has got 12 versatile styles! The very first non-cursive Arabic/Persian font which also supports Latin characters as well! You're gonna love how all those different styles are gonna work with each other! For your cover designs, posters, logotypes and any typographic projects, you can count on KayKhosrow fonts! There are 12 of them!
Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.
Futuristic, modular, blocked, squarish and modernist KayKhosrow font has got 12 versatile styles! The very first non-cursive Arabic/Persian font which also supports Latin characters as well! You're gonna love how all those different styles are gonna work with each other! For your cover designs, posters, logotypes and any typographic projects, you can count on KayKhosrow fonts! There are 12 of them!
Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.
Foda FreeStyle is a display Arabic font with High contrast that will surly get your attention, comes in single weight. It can be used for headlines, sub heads, posters, advertising and other many purposes.
Manchette Fine is the high contrast cut of Manchette typeface, which was inspired by the hand-written Naskh newspaper headlines during the 60s-70s era in the Arab world. The word "manchette" is a french word, that means headline. It was used mainly by the Egyptian calligraphers and designers.
The typeface presents sharp and contemporary details, while taking into consideration the original Naskh rules to echo the elegancy of the hand-written titles. Featuring many opentype features, such as contextual alternates, ligatures, and a small set of stylistic alternates. The typeface also features a dynamic Kashida that can be controlled through the variable fonts technology in the Variable GX file which contains all the weights as well.
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Aristotelica Pro is the 2020 redesign of the rounded geometric sans designed by Cosimo Lorenzo Pancini and Andrea Tartarelli developing the original philosophy of one of the classic and best-selling Zetafonts typefaces, Arista by Francesco Canovaro.
Originally conceived as an exercise in restraint and simplicity, Aristotelica is typographic eulogy to the simple beauty of circular shapes, aptly named after the greek philosopher who pioneered formal logic.
It shows its strengths mostly in display uses and logo design, with a palette of moods ranging from the stark elegance of the uppercase hairline weights to the playful softness of the lowercase bold weights.
True to its universalist calling, it has however been developed in a variant text version that applies slight corrections to design and metrics to allow for better legibility in long body copy.
In Aristotelica Pro both the display and the text subfamilies have been complemented with a condensed version, though especially for mobile screens and other situations where space-saving is a concern.
Also the original language coverage (extended latin, greek and cyrillic) has been expanded with the inclusion of arabic language glyphs, bringing the typeface to a total of over 1100 glyphs and 200 languages covered.
The family is further enriched by the inclusion of Aristotelica Icons, a set of matching variable-width monoline icons that can be used to faultlessly match the typeface line width.
OpenType features includes stylistic alternates, old style and lining figures and small caps.
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The sibling of Childos, with with additional Arabic glyphs for more international fun.
Handwritten rough sans serifs style, as well as the development of free and attractive ligature to fill the space between letters and make playful children feel designs.
