Frida Bezrukova

Alleyn Pro is a re-working of the font Alleyn in response to a request to increase the character set and include Vietnamese. The fonts now cover most Latin languages, Greek and many Cyrillic languages – apparently around 275 in total. The letters have been redrawn and re-proportioned and the spacing recalculated to make for better reading at text sizes.

Alleyn Pro has been developed to meet the needs of publishers, companies and individuals addressing a wide international market in a range of publishing media. The low contrast, slightly rounded sans-serif letterform with six weights and corresponding obliques provides a friendly and highly legible set of styles which are equally effective on signage, packaging, advertising and editorial.

Opentype features include many numeral and positioning options, ligatures, stylistic alternatives and localised variants.

Font Cap is a font based in ancient arches , it has a clear text and Greek and Cyrilics characters .

East is a sans serif condensed font. It has six weights between Light and Extra Bold. A variable font is also available.

Clarity and versatility make East a good choice for app design, branding, film titles, information, packages, posters, and publications. It is simple, friendly, and confident.

Its condensed design makes it easy to fit text in tight spaces. The light weight has excellent clarity for easy reading, even at small sizes. The Extra Bold weight will capture attention as a headline or large body text.

The name «East» is intended to evoke optimism, movement, travel, and the sunrise. It is timeless and current with a subtle nostalgia—inspired by the charming one-off sans serifs on early Jazz albums, film titles, newspapers, and road signage.

East has many OpenType features (please see slides). It offers eight stylistic sets. These can quickly alter large amounts of text. It has a set for a one-story “a” for simpler paragraph textures, and a set for hooked letters (f, j, l, r, t, y) for a warmer and playful personality. A seriffed uppercase I and 1 along with a slashed zero offer better legibility when needed. There are also sets for a curly German eszett, cap-aligned punctuation for Spanish, and a raised colon. Other OpenType alternates include; three different uppercase German eszetts, a tapered exclamation point, an alternate 4, standard ligatures, discretionary ligatures, a tapered asterisk, and a set of bullets (round, square, and diamond).

It also contains vertically stacked pre-built fractions. Diagonally built alternatives are offered for the common fractions (one quarter, one half, and three quarters, percent, per thousand).

It will support western and central European languages as well as other Latin-based written languages (check for your language). There are some Greek math-related glyphs and math symbols beyond the common ones.

Read on if you are not familiar with variable fonts.

What makes a variable font special is that all font weights are inside of one file and you can incrementally control the width and italic slant between Light (300) and ExtraBold (800). These changes are commonly made with slide controls in the font/type palette of the software. Variable fonts are also smaller in file size, benefitting both web and software performance.

Currently variable fonts are supported by Adobe, Sketch, Corel Draw, and most web browsers. Check for your software support here: www.v-fonts.com/support.

We are proud to present the futuristic Excelancer font. This font was inspired by passion for space stories. The uniqueness of this font lies in the rare combination of a wibrant style of decorative capital letters and perfectly balanced lowercase charachters that read well in any massive text. Thus, you get a universal font kit with which all the tasks of futuristic design are solved. However, this font will become a decoration not only for fantastic stories, but also for everything related to technology, development, progress and even sports. In short, this is the pure energy of the future!

Albert’s a charismatic typeface. A warm, sensitive face with a big personality. He’s a friendly sans serif font; shapely, flexible and modern. Available in a wide range of weights, Albert’s a versatile face ideal for use in most applications.

FS Albert Pro has multilingual features, including Latin, Greek, Cyrillic, Small Caps, Oldstyle & Lining Figures, Superiors, Fractions, Alternative characters.

I really don’t like candy. In fact, I even hate the smell of candy! But… You can wake me up for caramel in any form or shape! 

When I was a kid, we used to get a tin of wrapped English ‘quality’ toffees for Christmas. My favourites were the big, flat chewy caramels in a bright purple wrapper!

Chewy Caramel is a happy handmade font, ideal for book covers, candy wrappers and labels. Comes with double-letter ligatures for the lower case.