Frida Bezrukova

The aviation world contains loads of stylish logotypes, from handwritten scripts to geometric styles and so on. The Avionic Condensed family finds its origins of inspiration in the Air China company logotype, and from there has been expanded upon to create a large stylistic family of 40 fonts.

Avionic celebrates the geometric sans serif styling of the original logotype, evolving beyond the condensed all capital set logo to include a lowercase designed in parity with the original design style, as well as many weights and widths to offer a fresh diversity.

Each subfamily includes a full standard character set with expansive international support of latin based languages, and 5 weights jumping from book to black, along with 5 accompanying obliques. This family is ready to chart a course for your design destination, whatever it may be.

Here's what's included with the Avionic Family bundle:

• 370 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages.
• 5 weights in each subfamily: Book, Regular, Bold, Heavy, & Black. 
•   • 4 widths in the collection: Condensed, Regular, Wide, and Extra Wide.
• Accompanying Obliques with each weight/width style.
• Fonts are provided in TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same.

Here's why the Avionic Collection is for you:

• You're in need of a dynamic geometric font with a variety of weights and widths for your designs
• You're an aviation junkie and have to have anything inspired by Air China
• You love the style of Bank Gothic, but really want something just a little different
• You are looking for a pseudo-techno style font family with versatility
• You just like to collect quality fonts to add to your design arsenal

Allotropes are different structural forms of the same element and can exhibit quite different physical properties and chemical behaviors. The change between allotropic forms is triggered by the same forces that affect other structures – pressure, light, and temperature. From Wikipedia the Free Encyclopedia

With ten weights in five widths plus Italics, this family comes to a total of 100 fonts. The large number of styles was made with the intent to cover most cases UI designers have to tackle, with one type family. Stylistic alternates were made to follow the same logic, so there is an optional single-story g, serifed capital I, and dotted zero – all available through the OpenType feature. The character set supports Western and Central European languages, as well as Turkish. 

Breakdance is inspired by dance moves, the first font created with this concept is sans serif with a curved shape in one direction. Curves are made not too extreme, so that they maintain the shape balance. And now Breakdance comes in several styles and is divided into three typesface, namely script, sans and serif. Each typeface has several different styles and the total is 18 fonts.

Redotika is a versatile script font that has many alternatives for lowercase letters. This type of font is best used for logos, apparel designs, merchandise and whatever designs you need in the future.

Made you look? There’s a peculiar feel to the letters – achieved by the reversed contrast. Perfectly legible yet there’s something about the characters that makes them stand out. As Viktor Shklovsky once coined, ”Habitualization devours objects” – the everyday world becomes invisible until we are forced to see it otherwise.

The Portland font family is a tool of choice when you want to effortlessly make your designs stand out.

Chamberí is designed to be Vogue España's bestpoke typeface. An ambitious typographic branding project made for one of the most iconic magazine headers of the world, it defines the Spanish edition’s personality through a blending of the functionality of XIX Century Modern Romans (also known as “Scotch" typefaces) and the gestural expressiveness of typographic Baroque. Chamberí is a peculiar combination of the rational and the delicate, the sturdy and the feminine. The family is organised in a broad spectrum of 56 variants in which the transition from the restrained text version to the flamboyant, elegant display is modulated by contrast. The family is organised in seven weights: from Extra Light to Black, plus four optical sizes

: Text, Headline, Display and Superdisplay. All this with its own Italics, Small Caps and Old Style Figures, besides the due refinement to resolve any editorial and communicative requirement.