Download Jaqen Font Family From The Northern Block Ltd

Download Jaqen Font Family From The Northern Block Ltd
Download Jaqen Font Family From The Northern Block Ltd Download Jaqen Font Family From The Northern Block LtdDownload Jaqen Font Family From The Northern Block Ltd



Jaqen is a contemporary serif with a distinct aesthetic. Learning from historical methods of practice in metal types the design has been developed to improve reading text in modern applications. Initially drafted by hand to help promote a more natural letter shape, the typeface is then digitally produced adding a more angular expression with wedge-shaped forms, open apertures and subtle diagonal stress. The result is a well-balanced serif type family with the right rhythm, harmony and calm personality for creating readable text in the digital era. Details include 978 characters, six weights with true italics, ten variations of numerals, opentype features nut fractions, stylistic swashes and alternates, ligatures, small caps, chess symbols and language support covering Western, South, Central Europe and Vietnamese.


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Download Delaras Font Family From Mega Type

Download Delaras Font Family From Mega Type
Download Delaras Font Family From Mega Type Download Delaras Font Family From Mega TypeDownload Delaras Font Family From Mega Type



Introducing Delaras, a modern script font created with brush and ink, creating a bold and irregular baseline. It contains a complete set of lowercase, uppercase, alternates, ligatures, punctuation, numbers, and multilingual support. Get some inspiration from the preview above. Delaras is perfect for use in water color design or lettering style bold hand, such as blog headers, branding, t-shirt, weddings, social media, product design, stationery, advertising, apparel, cover books, business cards, greeting cards, branding, merchandise, invitations and handmade quotes and more. Delaras features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Delaras is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app.How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have any questions, please let me know. I'm happy to help :) Thanks & Happy Designing!


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Download RF Takt Font Family From Russian Fonts

Download RF Takt Font Family From Russian Fonts
Download RF Takt Font Family From Russian Fonts Download RF Takt Font Family From Russian FontsDownload RF Takt Font Family From Russian Fonts



RF Takt is a condensed geometric grotesque with closed forms of signs. 14 fonts from Ultralight to Black. 878 glyphs and 3738 kerning pairs. 16 opentype features. Multilingual support: Latin, latin extended, cyrillic and cyrillic extended (more than 91+ languages) We have tried to make RF Takt feel as good as possible in the field of graphic design and became a versatile tool for solving a wide range of graphic tasks. The specific feature of the font is that having condensed forms of characters allows you to place a large amount of information in a limited space. RF Takt will be a bright accent in a large size and will keep the readability in a small size. A large amount of opentype features opens up a wide range of options for experiments and original solutions. RF Takt is ideal for poster design, web design, newspaper design, magazine layout and covers, video titles, infographics, logos and branding, packaging, navigation solutions. Opentype features: ligatures, alternative symbols, ordinary and tabular numbers, old-style and old-style tabular numbers, tabular currency signs, fractions and automatic fraction, arrows and alternative arrows, case sensitive forms, upper and lower case numbers, small capitals.


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Download Veto Sans Font Family From Monotype

Download Veto Sans Font Family From Monotype
Download Veto Sans Font Family From Monotype Download Veto Sans Font Family From MonotypeDownload Veto Sans Font Family From Monotype



Veto® Sans is both highly legible and handsomely distinctive – a rare blend in a typeface. It’s a design that stands out and fits in. Veto Sans is equally competent on screen and in print. It’s four carefully determined weights in both normal and condensed proportions, each with an italic complement, give the family an exceptionally deep range of applications. All the designs in the family are valuable design tools. None are superfluous. Advertising, brand, corporate, editorial and interactive design are all in Veto Sans’ wheelhouse. It also shines in wayfinding and other signage projects. And to all these, it brings a warmth and personality. An ample x-height, open counters, vertical stroke endings and subtly condensed capital letters enable Veto Sans fonts to perform with grace in print and digital environments while being space efficient. An added benefit is that all-capital typography set in Veto Sans is not only space saving, it’s also easy to read. Drawn as a complete reimaging of his earlier Veto design, Swiss designer Marco Ganz worked to create character shapes distilled to their purest forms while maintaining a relaxed and natural demeanor. Ganz, who is also a three-dimensional artist, is acutely aware that the negative space between letters and the internal space within letters is as important as the positive shape of the letters themselves. This dynamic balance between the negative and positive aspects of character forms gives Veto Sans a sense of immediacy without looking hurried. Ganz also took great care to draw a suite of italic designs that not only complement the roman weights perfectly, but also give the family a dynamic verve. A large international character set also ensures ease of localization. “Veto Sans,” says Ganz, “is a typeface for designers that search for a new a different solution to age-old typographic challenges.”


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Download Fairlady Font Family From Studio Indigo

Download Fairlady Font Family From Studio Indigo
Download Fairlady Font Family From Studio Indigo Download Fairlady Font Family From Studio IndigoDownload Fairlady Font Family From Studio Indigo



Fairlady is a somewhat chunky script font that is developed from my own handlettered brush letters. My idea was to design a bold cursive script font with a strong 1950's vintage feeling to it. Fairlady is a decorative and quite tightly spaced font with preserved legibility which makes it perfect for vintage cards, labels, posters, logos, packaging and more. It has multilingual support for most European countries.


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Download Kihim Font Family From Indian Type Foundry

Download Kihim Font Family From Indian Type Foundry
Download Kihim Font Family From Indian Type Foundry Download Kihim Font Family From Indian Type FoundryDownload Kihim Font Family From Indian Type Foundry



Kihim in a single-weight display typeface. It is grid-based design – and a very decorative one at that. All of its letterforms are set on an extreme angle. The ‘tops’ and ‘bottoms’ of each stroke reflect that angle, giving the typeface a ‘rotalic’ feeling, as if each letterform was rotated clockwise. Designed by Hitesh Malaviya, Kilhim is his interpretations of the late artist Nasreen Mohamedi’s drawings and photographs. Through the interplay of light and shadows, her work explored the creation and consumption of form. It featured highly structured grids, just like this typeface. Her work achieved a unique level of abstraction, in which simple marks caused grids to form and deform. In her photography, she concentrated on sparseness and shapes. Physical space occupied by the body was a point of departure for her. Beyond the body, there was the urban fabric of the city: the spaces created by walls, windows and intervals in architectural structures, through which people pass. Her almost mathematical placement of lines indicated a sophisticated handling of formal/aesthetic relations on the picture plane, and she carefully weighed the intervals between lines, releasing them onto the page with a rhythmic flow that alluded to musical notation. A lot of intriguing glyph repositioning happens with text set in Kihim, once OpenType features like ‘Contextual Alternates’ are activated. The font also has oldstyle figures as an optional OpenType feature, which is really quite an opulent extra for such an ornamental display typeface. With Kihim’s abstract letterforms and its use of diagonal lines, Malaviya pays homage to the rhythmic quality of Mohamedi’s oeuvre. Often, text in Kihim seems illegible or unrecognisable at first, before the reader starts to see through the rhythmic pattern of thick and thin lines: then one starts to se the written word. The Kihim typeface is named after the place where Mohamedi passed away in 1990, when she was only 53.


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Download Thunderblack Font Family From Dieza Design

Download Thunderblack Font Family From Dieza Design
Download Thunderblack Font Family From Dieza Design Download Thunderblack Font Family From Dieza DesignDownload Thunderblack Font Family From Dieza Design



Thunderblack is a type of display letter that is made with firm lines and angles. This font is very suitable when combined with various types of typography.


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